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October Of Horror 2024

Posted by Trixter on October 28, 2024

(Edit 2025: I have been informed that “letterboxd” is a better outlet for this sort of thing, so I joined letterboxd and will put future reviews there.

I use every October as an excuse to binge horror movies. I’ve tried reviewing them at length on this blog in the past, but that turned out to be a colossal waste of time (I spent at least 15 minutes writing each review, about 4 hours total, and each post got single-digit views). But I still feel sharing the experience is useful in some way, so I’ll write the full list up with a small snippet of whether or not I recommend it and why.

I decided to try something different this year: Sort all of the unwatched horror movies I have on my local media server from WORST to BEST, according to audience rating. The idea was that, as I move from movie to movie, they would keep getting better and better :-D I have to say, the experiment worked! They started out utterly ridiculous, and slowly got better and better, with the occasional surprise (very bad, or very good) along the way. A few times, I couldn’t take it any more and watched a much better movie instead of following the rules I had set up for myself, but for the most part I stuck to the experiment and was pleased by it.

Here’s the list, in watched order:

  1. The Phantom Eye (1999): Roger Corman cheese. Recommended.
  2. The Prophecy (1995): Angels fighting angels. Christopher Walken as an angel! Recommended.
  3. Dracula (1931): A classic. First half much better than second half. Recommended.
  4. The Prophecy II (1998): A sequel, worth seeing for more Walken. Barely recommended.
  5. The Prophecy 3: The Ascent (2000): Weak and not enough Walken. Skip.
  6. The Prophecy: Uprising (2005): Low budget side-quel. Hallmark of low budgets is way too much dialog and not enough action or locations. Skip.
  7. The Prophecy: Forsaken (2005): Sequel to low budget side-quel. Forgettable. Skip.
  8. The Clonus Horror (1979): First half better than second half but worth sticking it out. Recommended.
  9. The Hand (1981): This was WAY better than the ratings suggested. Michael Caine’s severed hand starts murdering people who anger him. Highly recommended.
  10. Devil Doll (1964): Twilight zone did this way better (twice). Skip.
  11. New Terminal Hotel (2010): The return of Stephen Geoffreys to mainstream acting. He’s good, everyone else is not. Skip.
  12. Halloween III: Season of the Witch (1982): Can’t believe I hadn’t seen this before 2024! This is totally not a Halloween movie, and it’s super bananas at times, but I was never bored. Commentary track with Tom Atkins is just as entertaining as the film. Highly recommended.
  13. Uncle Sam (1996): Desert Storm zombie comes back as Uncle Sam to wreak patriotism on a small town. Recommended (barely).
  14. How to Make a Monster (2001): Computer program comes to life and kills people. Obligatory Julie Strain appearance. Computer-speak is difficult to cringe through, but there were some cute and clever moments. Recommended if you like “OMG computers world wide web first person shooter” cheese from the early 2000s.
  15. Contamination (1980): Italian rip-off of Alien that was so terrible I was yelling at the screen. Avoid at all costs.
  16. He Knows You’re Alone (1980): Serial killer hunts down brides-to-be. Tom Hanks’ first movie where he has no impact on the story at all. Forgettable.
  17. Frankenstein (1931): A classic. Worth seeing.
  18. The Initiation (1984): Daphne Zuniga’s first film. One of two horror films I watched this month set in a mall. Skip.
  19. The Video Dead (1987): An offbeat zombie horror film. One of two horror films I watched this month where zombies invade our world through a television. It’s not really worth seeing, despite two funny uses of an iron.
  20. Frankenstein Unbound (1990): Roger Corman’s reimagining of Frankenstein. Fantastic cast, surprisingly good props for the budget (a Corman tradition), but ultimately not worth seeing. It’s just not enjoyable to watch.
  21. Hellbound (1994): Chuck Norris swears and kicks demon butt. Movie, however, does not kick butt. Skip.
  22. The Puppet Masters (1994): The “28 weeks later” of Invasion of the Body Snatchers. Recommended.
  23. Prom Night (1980): Rumor has it that Jamie Lee Curtis agreed to star, at a low salary, if she were permitted to dance. And disco dance she does. Not enough to save the film though. Skip.
  24. Strange Invaders (1983): A nearly perfect homage to 1950’s communist-scare alien movies. If you haven’t seen any 1950’s sci-fi then you won’t be in on the joke and probably won’t like it. Recommended (barely).
  25. The Boogey Man (1980): Ineptly handled horror slasher. Skip.
  26. The Final Destination (2009): Not as good as the first Final Destination film, but still very enjoyable and has fun with the kills. Recommended.
  27. The Wolf Man (1941): Another classic, and worth seeing — but there’s a lot of 1940s-isms that don’t resonate very well today, like discrimination and sexism. Lon Chaney Jr. is better in makeup than not. Tough to recommend.
  28. Christmas Evil (1980): A fascinating film that is more drama, exploitation, and thriller than horror. A statement against apathy and commercialism. Recommended, but only barely.
  29. Evilspeak (1981): Clint Howard conjures up the demon form of Richard Moll using an Apple II computer! It’s a terrible film, but come on, conjuring demons with an Apple II. Reluctantly recommended.
  30. Mutant (1984): Inept zombie movie with inept shambling zombies that are created by inept chemicals from an inept evil company. Did I mention it was inept? Skip (unless you like seeing Wings Hauser ad-lib half his lines)
  31. Friday the 13th: The New Blood (1988): Jason against a girl with telekinesis. Does not live up to the promise of Jason-against-telekinesis, unfortunately. Skip.
  32. Mimic (1997): Guillermo del Toro’s worst film is still worth watching. Director’s Cut is supposed to be better than the theatrical cut I watched. Recommended.
  33. ABCs of Death 2 (2014): I loved this! 26 different short vingettes from 26 different directors. Recommended.
  34. Ben (1972): A lonely boy befriends a smart leader rat of a smart rat swarm. Sequel to Willard. Super slow with no real payoffs. Hated them both. Skip.
  35. Chopping Mall (1986): Robots kill teens hiding in a mall after dark. Second of two horror films I watched this month set in a mall. Unlike the other one, this one is very silly, but it knows it and has a ton of fun with the premise. Recommended.
  36. Demons 2 (1986): Italian film that tries to rip off so many movies simultaneously I lost count of how many. Second of two horror films I watched this month where zombies invade our world through a television. Dreadful film that even the good makeup/prosthetics can’t rescue. Skip.
  37. The Children (1980): Deadly children! Low budget but manages to stay interesting throughout. Recommended.
  38. A Cold Night’s Death (1973): Two-person movie where Robert Culp and Eli Wallach try to figure out what killed everybody at a remote arctic research station. Originally a made-for-TV movie, rises above that and was one of the hidden gems of this month’s horror movie experience. Highly recommended.
  39. Mom and Dad (2017): Mass hysteria causes parents to murder their children. Nicolas Cage and Selma Blair do their best with the material, but the movie loses confidence in its own premise. Can’t really recommend it.
  40. Return of the Living Dead III (1993): One of my favorite cult classics — I have seen this many times before but try to watch it once a decade anyway. Has a few unique and cynical twists on the living dead zombie premise. If you liked the first RotLD from 1985, you’ll like this one. (Skip the second RotLD.)
  41. The Night Flier (1997): Miguel Ferrer investigates a serial killer who travels by plane. Takes a while to get going but ultimately worth it. Recommended.
  42. Popcorn (1991): Horror comedy mystery. Resisting urge to call it cheesy. “Black Comedy For Dummies”. Barely recommended.
  43. Dead Hooker in a Trunk (2009): Student project made for $2500. Great student project, disappointing movie. Skip.
  44. The Eye (2008): I see dead people, but not as good as Sixth Sense. What could have been a good premise is wasted on Jessica Alba’s limited acting ability. Skip.
  45. Poltergeist (1982): The last time I saw this was in August 1982, when my brother and I snuck into the theater to watch it after having watched Tron. Came across the 4k version and decided to revisit it. Fantastic movie where many aspects of it still hold up. Highly recommended.
  46. House of Wax (2005): Starts slow but methodically gets better and better as the movie goes along. Paris Hilton, surprisingly, can actually act. Some very unexpected practical effects. Recommended.
  47. Sixteen Tongues (1999): Cinema verité shot on analog video DV cams. True cyberpunk, which is dystopian and depressing. Extremely low budget (the “future” is littered with 16-bit ISA cards and classic Macs), takes place in a single location. Script is so good that it exceeds the acting capability of the actors, sadly. Not Rated (which means practically X-rated). I’m glad I watched it, as I’m a fan of performance art, but I can’t really recommend it as it will disgust most people.
  48. The Keep (1983): Michael Mann’s only non-crime-thriller movie. Was clearly a much longer film with better narrative pacing before it was cut in half by producers. Cool practical effects. Recommended.
  49. Hell Night (1981): College hazing takes a wrong turn after locking people in a house that is already inhabited by a psycho. Takes forever to get going and almost never gets there. Skip.
  50. The Sentinel (1977): A woman has psychic flashbacks after moving into a strange apartment complex. Despite many recognizable stars, has a weak payoff. Used people with actual physical deformities as scary people, which is not really acceptable today. Skip.
  51. The Thing (2011): This is the prequel to The Thing (1982), which itself is a remake of The Thing From Another World (1951). All of them are recommended and each bring something to the table, but Carpenter’s The Thing (1982) is clearly the best and should be watched BEFORE watching this prequel, as the prequel will permanently spoil the 1982 film. Recommended.

51 movies — a new record for me. There are still days left in October, but I think I’ll stop there.

Hope this helped someone!

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How to transcode UHD 4K HDR rips for lower bandwidth to an LG C8 OLED via Plex

Posted by Trixter on April 29, 2022

(This post has been edited with new information)

The LG Cx series of OLED TVs have terrible network chipsets in them: They can do more than 100mbps over 5GHz wifi, but can only do 100mbit/s over ethernet (my experiments with a USB-to-ethernet adapter were mixed). So what happens if you want to stream to your TV over ethernet because you can’t use wi-fi?

Included below is an ffmpeg script I’ve used to transcode UHD 4k blu-ray rips down to a bandwidth that can be handled without trouble using my LG C8’s ethernet connection, which I used during a period when I was unable to use the TV over 5GHz wifi (since corrected, thankfully). It leverages a modern nvidia card to do the transcode without any CPU usage, and preserves the HDR10 information. The end result is worse than the source if you pixel-peep, but if you’re sitting 10 feet away from your projector, it’s perfectly fine — and it’s certainly better than a blu-ray rip of the same material. Here’s the script:

REM This creates a Plex Versions proxy that preserves as much quality
REM as possible without exceeding an LG C8's ethernet 100mbit/s capabilities.
REM Call this batch file from the plex directory containing your main movie.
REM
REM The 120M bufsize represents a 3-second window @ 40M vbr that a max of 60M
REM can be sustained.
REM

mkdir "Plex Versions\LG C8"

for %%a in ("*.*") do ffmpeg -find_stream_info -hwaccel auto -i "%%a" -map 0 -c copy -c:v hevc_nvenc -pix_fmt p010le -tune:v hq -preset:v p7 -color_primaries bt2020 -color_trc smpte2084 -colorspace bt2020nc -spatial_aq:v 1 -temporal_aq:v 1 -b_ref_mode middle -profile:v main10 -tier:v high -b:v 40M -maxrate:v 60M -bufsize:v 120M "Plex Versions\LG C8\%%~na.mkv"

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October Horror Movie Challenge Results

Posted by Trixter on October 31, 2020

Every October, I allow myself to get all of the horror, gore, and halloween-themed movie-watching out of my system. For literally no reason or benefit, I usually challenge myself to watch 31 such movies, one for each day of the month. This year is the first year I succeeded, likely due to a mixture of the pandemic limiting excursions, and also because horror movies are a light and breezy diversion from the real-life hellscape that is 2020.

So what did Trixter watch? Here’s the list, in chronological order of release date (this was not my viewing order, which is much less interesting):

TitleYear
The Thing 1951
The Premature Burial 1962
Theater of Blood 1973
The Exorcist 1973
Haunted: The Ferryman 1974
Trilogy of Terror 1975
Halloween 1978
Alien 1979
Phantasm 1979
Humanoids from the Deep 1980
The Thing 1982
The Beast Within 1982
Cat People 1982
Aliens 1986
Invaders from Mars 1986
April Fool’s Day 1986
Predator 1987
Phantasm II 1988
Cellar Dweller 1988
Scarecrows 1988
Death Spa 1989
Dr. Giggles 1992
Leprechaun 1993
Phantasm III 1994
Ice Cream Man 1995
From Dusk ’til Dawn 1996
Phantasm IV 1998
Shaun of the Dead 2004
Night of the Living Dead: Darkest Dawn 2015
Phantasm: Ravager 2016
Hubie Halloween 2020

And a special bonus that I completed just now: Night of the Living Dead (1990) viewing party with three of lead actors, giving live commentary. Was very fun, first time I’ve ever done that.

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A Premature End to October of Horror

Posted by Trixter on October 30, 2018

I am taking on a contract programming job with a deadline this week, so I’m afraid my horror movie indulgence must come to an end.  It’s unlikely I would have made 31 movies by the 31st anyway, but I’m happy with the 25 I managed to cram in.  I found some new favorites like Return of the Living Dead III, and had some recommendations validated such as The Night Stalker and Fright Night.  Most of them were duds, but it was worth going through them to find the diamonds in the rough, such as Killer! and — who would have thought?! — Pinocchio’s Revenge.

Here’s the complete list of movies I was able to cram in:

October of Horror #1: The Visitor (1979)

October of Horror #2: A Nightmare On Elm Street (1984)

October of Horror #3: Return of the Living Dead II

October of Horror #4: Fright Night (1985)

October of Horror #5: The Night Stalker (1972)

October of Horror #6: Warlock (1989)

October of Horror #7: Return of the Living Dead III (1993)

October of Horror #8: Evils of the Night (1985)

October of Horror #9: Infection (2004)

October of Horror #10: Pinocchio’s Revenge (1996)

October of Horror #11: The Darkest Hour (2011)

October of Horror #12: Zombieland (2009)

October of Horror #13: Killer! (1989)

October of Horror #14: The Beyond (1981)

October of Horror #15: Slaughterhouse Rock (1988)

October of Horror #16: Halloween (1978)

October of Horror #17: The Thing (1982)

October of Horror #18: The Borrower (1991)

October of Horror #19: Bordello of Blood (1996)

October of Horror #20: Meet The Hollowheads (1989)

October of Horror #21: The Wraith (1986)

October of Horror #22: Street Trash (1987)

October of Horror #23: Zombie High (1987)

October of Horror #24: Waxwork (1988)

October of Horror #25: Society (1989)

 

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October of Horror #25: Society (1989)

Posted by Trixter on October 29, 2018

(For an explanation of what these posts in October are, see the parent post.)

Synopsis

An affluent son starts to suspect that his parents, and maybe his entire life, are not what they seem.

Opinion

Holy geebus, this movie 100% embodies the WHAT DID I JUST WATCH meme.  It’s a paranoia-induced mystery where a rich teen keeps seeing odd things out of the corner of his eye, notices people acting strangely, and can’t figure out what is real and what isn’t.  And for the first two thirds of the movie, it held my attention based on that alone.

(spoiler alert)

And then, the movie descends into a body horror fever dream the likes of which I’ve never seen.  It puts From Beyond to shame, and gives Reanimator a run for its money.  It goes into utterly bananas territory with an equally bananas victory for the hero.

Does this make it bad?  No, it truly kept me guessing and delivered the promised shocks.  The actors did a fine job, the effects were good where they needed to be and cheesy when it was warranted, and the director did a fine job for his debut.  I’m glad I saw it — but can I recommend it?

Recommendation

Society is unapologetically a body horror film, so if you are grossed out by that, do not watch.  But if you want to see something you’ve never seen before, and can handle the (bloodless!) gore, check it out.

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October of Horror #24: Waxwork (1988)

Posted by Trixter on October 29, 2018

(For an explanation of what these posts in October are, see the parent post.)

Synopsis

Upper-class high school friends check out a waxworks museum, only to get trapped in some of the exhibits.

Opinion

Waxwork feels like it is trying to be a Charles Band/Full Moon horror movie but the final result has half the quality and even less charm.  It can’t decide if it’s trying to be a horror-comedy, flat horror, or just “quirky”, and it fails at all three.  Which is a shame, since the premise is somewhat original:  People who wander into incomplete waxworks scenes end up living the scene itself, and, if killed, becoming part of it forever.  It’s a great idea!  It’s just a shame the movie can’t pull off any of the three tiers of execution it is going for.

The low budget didn’t help.  Waxwork was filmed for $1.5 million.  If it had $1 million less money in the budget, it would have been a flawed but admirably ambitious film.  If it had $1 million more money in the budget, it would have been able to pull off more scary effects.  But what got onto celluloid just falls flat.  It’s even distracting to watch at times — some dialog gets cut together with dialog that feels like it was an alternate take with alternate lines.  One character fires a machine gun as he dies (trope alert), but since they couldn’t afford an automatic machine gun, you can see the character pulling the trigger while “dead”.  Some characters are caricatures while the two main characters play it completely straight.  It’s a mess.

Recommendation

I hate to kick a movie while it’s down (especially since, based on the commentary, everyone had a fun time making the film), but you should skip it.  For every scene that works, there are three that don’t.  Your time would be better spent watching 4 episodes of Tales from the Darkside (or even 4 episodes of Monsters).

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October of Horror #23: Zombie High (1987)

Posted by Trixter on October 28, 2018

(For an explanation of what these posts in October are, see the parent post.)

Synopsis

Students at a prestigious boarding school start to suspect something nefarious is going on as they their friends’ personalities change into perfect students.

Opinion

If I had to summarize the film in a single sentence, it would be “Invasion of the Body Snatchers for teens.”  And that’s pretty much what it is — friends of the main characters either disappear or change into unrecognizable people, and the main members of the school board know more than they’re letting on.

The film is notable as an early major role for Virginia Madsen, and also stars Paul Feig in a bit part serving comedy relief.  Unfortunately, there’s just not much for either of them to do:  There’s not enough scares, things move slowly, and you start to recognize padding.

Recommendation

It’s merely ok.  I can’t really recommend it.  I feel Feig is a better actor than director (I have enjoyed exactly 1 of the films he’s directed) so if you like Feig and want to see him acting, you could do worse than Zombie High.

If you want a decent horror film starring Virginia Madsen, see the much better Candyman instead.

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October of Horror #22: Street Trash (1987)

Posted by Trixter on October 28, 2018

(For an explanation of what these posts in October are, see the parent post.)

Synopsis

Homeless people start melting when drinking “Viper”, toxic hooch discovered after being locked away for 60 years.

Opinion

This film is all over the place.  It goes from black comedy, to body horror, to action film, to Vietnam veteran drama, to the plight of the homeless, to gore/splatter pic, to gangster humor, to… it’s just all over the place.  I keep writing sentences about it and then erasing them because I honestly can’t understand what the fuck I just watched.

I’ll defer to “RevRuin” from IMDB, who in 2001 summarized the film better than I seem to be doing right now:

One day someone said, “I’d like to make a movie featuring a bottle of hooch that makes people melt into multi-colored ooze. I think I’ll also add “sub-plots” about insane homeless vets, murder, necrophilia, gang-rape, castration, and police brutality. Oh, and it’s a COMEDY.”

Anyone who blasts the movie probably had no idea what they were getting into. Yeah, the story – if you want to call it that – is flimsy at best, but the film is punctuated by some inventive effects, some nice camera work, and a hysterical mostly-improvised Doorman character played by James Lorinz.

Summed up, if you like your movies dispicable, reprehensible, obnoxious, offensive, crude, and downright nasty, pick this one up.

That’s about right.  It’s downright odd how it switches subjects and tone every 5-10 minutes.

Recommendation

I guess if 30% of more of the above appealed to you in some way, watch it, I guess?  50%, maybe?

Actually, there is one good reason to watch it:  Tony Darrow.  Darrow was a lounge singer until, at age 50, he was cast in this picture as a gangster, which he was familiar with having grown up around gangsters his whole life.  He did an ok job, but what is surprising is that Martin Scorsese somehow saw Street Trash and cast Tony in Goodfellas, which then led to a number of gangster characters until he found himself in The Sopranos where he played “Larry Barese” for the entire show’s run.  If you’re a Tony Darrow fan, you’ll enjoy him in this picture improvising some funny scenes with James Lorinz.

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October of Horror #21: The Wraith (1986)

Posted by Trixter on October 28, 2018

(For an explanation of what these posts in October are, see the parent post.)

Synopsis

Members of a car gang are challenged to races by an anonymous newcomer with a car nobody has ever seen before — and when they race for their lives, the newcomer always wins.

Opinion

I had never heard of this film until a few years ago, when some co-workers and I talked about cheesy teen action films from the 1980s (especially the silly BMX films like BMX Bandits and Rad), and someone mentioned The Wraith.  When I learned it starred a young Sherilyn Fenn, Charlie Sheen, a ton of 80’s music, and a Dodge M4S with a serious paint job — and believe me, all four of those are equally the stars of the film — I had to check it out.  Amazingly, I found a 1080p print of the film and set out to watch it.  As I watched it, I felt like I had picked the wrong picture for October Of Horror, but was surprised by how much I wanted to see it through to the end.

So what makes this barely classifiable as horror?  (Spoiler alert!)  The plot involves the ghost of someone killed by the car gang coming back to take revenge on the gang.  Kids are killed by a car with supernatural powers.  “But wait,” you say, “Wasn’t that the plot of The Car 9 years earlier?”  Yes, but that movie — strange as it was — was a true horror film where the car is the physical embodiment of a demon and it kills a lot of people for seemingly no reason (which is the best kind of reason to kill people in a horror film).  The Wraith is more of an 80’s revenge picture for teens.

Recommendation

If you like any of the following:

  • Clint Howard playing the role of a nerd completely seriously (and well)
  • An 80’s soundtrack featuring Ozzy Osbourne, Stan Bush, Robert Palmer, Bonnie Tyler, and Billy Idol
  • A futuristic-style car creating ludicrously gigantic explosions

…then The Wraith is worth your time.  If not, skip it.

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October of Horror #20: Meet The Hollowheads (1989)

Posted by Trixter on October 27, 2018

(For an explanation of what these posts in October are, see the parent post.)

Synopsis

Witness a day in the life of the Hollowhead family, which takes place in a reality very similar to our own — if our lives relied on strange creatures and pipes filled with goo.

Opinion

I was attracted to The Hollowheads when I learned it was Anne Ramsey’s (The Goonies, Throw Momma From The Train) last film.  I looked further and saw it also starred a young Juliette Lewis, and with very strange creatures and setting thrown in, I felt it was worth my time.

After watching it, I guess I have to say it’s not for everyone.  It’s also not horror — I suppose it technically qualifies as a black comedy mixed with fantasy, maybe?  It’s hard to classify.  It plays like a gross, dark version of Pee-Wee’s Playhouse where every talking piece of furniture was replaced with a hose spouting goop or a frog-like creature that gets chopped up for a snack.

Frustratingly, there are hints of a good film in there, especially when the boys venture outside to go to the pumping plant.  You get glimpses of an entire interesting world that wasn’t fleshed out due to budget and time constraints.

Recommendation

It’s interesting, but it’s not horror.  But if you like learning the deep inside details of how films are made from proposal to celluloid, read The Edgewise Guide to Filmmmaking which is a production diary of Meet The Hollowheads from one of the writers, Lisa Morton.  It gives a glimpse into the film they were shooting for, and how it turned into the film we got.

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